Friday, December 3, 2010

A Nose Hickey?

What? A Nose Hickey? Yeah, apparently they're possible.

Will Steel and Lizzy Schwarzrock have been dating for about a month now and I walked into my kitchen this afternoon to Will saying - "Ryan! Come look and see what Lizzy did!" I saw his nose and I thought it was broken. I thought that they had been wrestling or, fighting over who got the last strip of bacon or something.

But no.

It was a Hickey. The size of a ping pong ball. On the bridge of his nose.

What on earth? I mean, I'm all for mixing things up and exploring, but....

Best of luck on future endeavors you two.
:)

Ryan

If anyone has any Hickey cures, comment away - I'm sure Will will appreciate them.

Tuesday, November 30, 2010

Progress

So - One of my goals when I came out here was to write an album and record it here.
I'm prolly never going to be in a place where I can use professional level equipment, software and staff for FREE - So why not right? - The fun part is that much of the work generation for my solo mio was music - me and guitar, several songs - so - I'm officially moving from solo mio to album. I'm now working on an album. Right now its just me and a guitar and I think it will stay that way unless I really want something else in it. I've got 4 songs in the bag ready to roll and just finished another tonight.

I'm aiming for at least 11 by mid January. I know that sounds crazy, but creativity is a funny thing and its booming.

Update on what's actually going on here -

So little did you all know I was a spot op for A Christmas Story (based off the movie) and we ran for a month and closed last sunday. - hah. Go me for not writing about it, but there wasn't alot to tell, just following people with a spotlight and playing dumb games on my phone in between.

I'm currently in rehearsal for Christmas Carol playing Young Scrooge.
Now, several of us have been talking for the last few days about what kind of a play this is. All of us have had some kind of exposure to Christmas Carol before, but its not till we started working on this show that we finally figured it out. Like how great of a show it is and how important it's message is. The way that this production is telling the story cuts to the chase, cuts all the hallabaloo, and says - "This is a story about being a better person, opening your eyes to the world, and doing your best to give it everything you can." It's pretty incredible.
We had a run today and a handful of staff came from other departments. There were alot of laughs, and a handful of tears. It was pretty great.

So - Thats that - chicken strips in the toaster oven are almost done.
See yall later.

I don't think I ever posted this picture - I think - this is all of us.  - This was in October at the cabin.

Friday, November 19, 2010

Let me Explain -

Ok - so posts have been far and few between.
Let me explain -
Today - I got up at 9, at the theatre at 10 for a Shakespeare monologue showing. 10:15 - 10:45 costume fitting. 10:45 - 1:30 Christmas Carol Rehearsal. 1:30 - 2 prep for solo mio performance. 2-3:30 solo mio performance. 3:30 to 5:15 Christmas carol rehearsal. 5:15 - 5:45 - desperately nap in the green room with the least amount of people in it. 5:45 - 10 Christmas Story spot op duties during the performance. 10:30 - 12 - Try to - Do laundry, eat - something, anything - Drink a beer, Shave, maybe shower, read a book - at least a couple of pages, check facebook, check personal email, check theatre email, then finally at 11:38 - blog.

Dear lord, why did you not make 36 hour days?

This, however, is a better day, because this entire week, AFTER the Christmas Story show, I've been rehearsing my solo mio. so I'd get home around 12, get to bed around 1:30 - and just die for a few hours.
I love my life. The body is an amazing thing.

So - my solo mio went up today and it was great. I mean great. Its beautiful. I'm so damn proud of it. - If I can manage it - I'm going to post all the drafts - there were 6 from start to finish, but for now - Here is the final draft, the script. here is the script.

There's 4 characters - and I did them all. Each character addresses on side of the audience. its a thrust stage so there is audience on 3 sides of you. And the "ME" character always addresses the front, along with "Ryan"
The only movement, aside from my head turning back and forth was a step down stage every time "Ryan" spoke.
Thank you Rachel Paul, my director, for showing me how simplicity is beautiful.
Ok folks. Good night.





Honest Air – Last and 100 Final Draft – Ryan Westwood Solo Mio                               November 18, 2010


Me:        Make a decision
Lies:       Stop right now. Don’t say a word. Leave the room. Get married, and be happy. All you have to do is lie.
Ryan:     Dad, I’m so tired. I just don’t know where I’m at anymore.
Lies:       Why are you saying this to him? You’re not going to tell him because our plan is perfect. It’s flawless. You’re going to forget this. So just dig a little deeper, bury it down a little further, and it will disappear.
Truth:    You are not going to forget this. You think about it when you get up in the morning, you think about it all through the day, and then you dream about it at night. It is not going to disappear.
Ryan:     Dad, I don’t know if I can tell you this.
Lies:       I know you want to tell someone. It’s natural. It’s a natural reaction to a natural action that several normal people have taken and worked through. It’s normal. So just work through it like everyone else.
Truth:    Normal? It’s normal to lie to your fiancĂ© on a daily basis? Well that’s a new one. See I thought that normal people, healthy people, people who are in love were honest with each other - But that just me.
Ryan:     Dad, do you lie to mom? I don’t mean like, little things. I mean – do you ever lie to mom? Yeah I didn’t think so.
Lies:       Look, you love her right? You know what’s gonna happen if you tell her? You’re gonna break her heart. You know how much she’s gonna cry? Don’t break her heart. You love her too much.
Truth:    If you love her then you’ll accept the fact that you’ve already hurt her - That the damage is already done. And every day you sit here and lie, you twist that dagger a little more. So make this a break up instead of a divorce – or a custody battle.
Ryan:     Dad, I need you to tell me that Ashley and I will not work out.
Lies:       Whoa whoa whoa what are you doing? You will not fuck this up. You stop right now.
Ryan:     Dad, I need you to tell me before I change my mind.
Lies:       Do you realize what you’re doing? If you tell him you will never marry her. It’s over. Game Over. She is your soul mate. If you don’t marry her, you will never be happy.
Truth:    Ryan, you’ll never be happy until you’re honest with yourself, and everyone else. Now I know you don’t have the courage to tell her, but you do have the courage to tell your dad and once he knows, courage won’t be a factor and you’ll have to tell her.  I know you want to do it. So do it.
Ryan:     I know you don’t understand this Dad. But as soon as I tell you we are done. Ashley and I are done. Wedding done. And I want to tell you but I can’t do this by myself and I know you don’t want to promise me something that you can’t control but just trust me and do what I need you to do so I can tell you.
Lies:       Listen, before you do this – Think about what you’re giving up. The perfect girl, the perfect plan, the perfect life.
Truth:    Ryan, there is nothing perfect about waking up next to a wife that you lie to every day for the rest of your life.
Ryan:     Dad, if you love me, tell me that Ashley and I will not work out.
Me:        And he told me.
                And I told him.
                And I told her.
                And I took in the first breath of Honest Air I had tasted in two years.
                And I’ll never forget how sweet it was. 

Good Night.

Good night Ashley. Good night.

Tuesday, November 9, 2010

Halloween Pictures

Hey yall,

Its super late but I thought I'd post a few halloween pictures.

Will and I went as Rockem Sockem Robots. I was Sockem, He was Rockem.

Good - Freaking - Night. Nothin like wearin a box all night.

Im the guy in the Blue.
Marc Bovino, who played Renfield is the Pumpkin on the Right
Simon Kendall, who played seward, is the Pumpkin on the Left
Will Steel is the Red Robot. Rockem.





Thursday, November 4, 2010

Back

Ok - I admit it - I'm really bad at keeping promises I make to myself, especially when I get really busy - this blog, I just forget about it - Sorry everyone - Sorry Ryan.

So - Dracula closed. Bye Bye - just like that - Friends move back to New York. :( its funny - what we put ourselves through as actors - we make a new family every 3 months, then we say goodbye to them. then we start over. Its funny really. Why do we do what we do? I guess cause we can't picture ourselves doing anything else.

My solo Mio is kicking off. 2 rehearsals in - I've already re-written it completely. I guess that's how it should be.

So - Get this - for the last month, several of the apprentices have been working on a 1 hour, Romeo and Juliet where both Romeo and Juliet are women AND they performed it on 2 levels of the Actors Theater parking garage. They did it in what is called promenade theatre - Where you walk around on foot, and follow the scenes as they unfold. So - the famous balcony scene was done where Juliet was on floor 7, on a staircase, and Romeo was 2 levels below that leaning out the side of the level, over a wall. Hope that makes sense. It was really intimate, and really wonderful. We were 5 feet away, and on the same level as them most of the time. So the play just unfolded before you. Really neat. Here are some photos.

Kerri Alexander - on the Right - Romeo
Dinah Berkley - on the left - Juliet

Balcony scene - The audience was standing right where the person taking this picture was

Shawn Michael Palmer - left - Friar, Peter Vigari - right- Paris


Dinah - Right - playing Juliet leans out of Romeo's car window begging her to leave so she isn't killed.

That was my favorite scene in the whole show.
The two of them pulled up right into the crowd in this car the scene started - in the car - and then Juliet jumped out of the window, begging Romeo to leave.

So - that's whats going on in this neck of the woods - sorry it took me so long to get back to yall -

Ryan

Sunday, October 17, 2010

9 Show Week Down, Charlie is in town

10-17-2010

Hey Everyone,

The last 3 weeks of dracula are all 9 show weeks and we just finished the first one. Hoooray! It's crazy to think about it ending, its been going on for so long. It hit me today that I've been performing it for a month. Over 30 performances. Crazy. So we're headed out to Knoch Bar to celebrate the beginning of the end. :)

CHARLIE IS IN TOWN

Charlie, is Will's brother, and as far as I can tell from the hour Ive hung out with him, just as great. He's here until Tuesday so I'm gona try to spend a bunch of time with him and Will. Will talks about him all the time and I felt like I kind of already knew him when he showed up today. It was kind of great. So, I'm stoked that he's here. Will is elated. They're best friends and its really neat to see that.

No word on Christmas Carol yet - couple more days I guess.

At any rate - thats whats up!

Talk to you all soon,

Oh - we went camping last sunday night and monday  - and it was great - More to come on that

Saturday, October 16, 2010

Exhausted - Life Is At Our Fingertips

October 16th, 2010

I've been up till 3 am rehearsing a mock audition scene all week. Kerri Alexander is my partner and we don't have time to rehearse except for after both the shows are done at night. So, by the time we meet up and start working, its like 12:30, 1, and then I crash at like 3 am and get up at 7. Too many days in a row haah. We just had a back to back 2 show day where we had 1 hour between shows and I'm exhausted.
Nate, Sarah, and Cory were here this weekend and when I got home tonight, they had left me a note on the brown paper that is taped up all over my room saying how proud of me they are and how much they missed me and I just started crying when I saw it.

I've been really trying to let myself experience my emotions when they come along instead of just pushing them back for the sake of it. So I just stared at it and said to myself, "I miss you too, and thank you so much for coming to see me." and cried for a little bit. I looked around at my room, full of Solo Mio work generation, realized why I was so tired (because I've been working my ass off on this scene all week and because I just did a two show day at one of the Mainstay regional theaters in the States) and just said, "I love my friends. And I love my life. This is my life."

We auditioned for Christmas Carol 2 days ago and I was one of the 2 or 3 guys to get called back for Young Scrooge and I nailed the audition. I mean when I walked out of that room I wanted to do a jumping, praying mantis kick because I felt so damn good about it. So, we haven't heard anything yet, but If I don't get it, it will be alright, because it wont be because I didn't show them I could do it.
I don't ever want to leave an audition without that feeling, because it's ultimately freeing.

Will's brother Charlie is coming into town for the week and I can't wait to meet him, because if he's even 1/3 as wonderful as Will, Its gona get crazy great around this apartment complex.

My dad and I were talking the other day and he said that he and mom decided that this apprenticeship is just an extension of college, with all the partying and learning you could handle in 9 months. I think thats pretty accurate. It's like being back at college, but its more than that. And maybe its just where I am in this part of my life, but I'm going to be different when I walk out of here. Not just in theater, not just my career, but this place, these people, this atmosphere is changing me and changing how I look at things. Like, saying its ok, and lovely to cry when you feel it coming on. And realizing if you want something, all you have to do is start doing it - Life is at my fingertips.

Life, is at all of our fingertips.

Saturday, October 9, 2010

Another day at the office

Hey everyone,

Just got a new phone! Yay!
I literally danced the other one to death. By that, I mean, it was in my pocket while I was dancing at a bar, and it broke. :( But now I have this new slidy/flippy one thats purdy neat. So, no biggy.
Nothin crazy is happening right now. This weekend, 26 of us are all going camping in a 3 bedroom cabin at Red River Gorge, however.

So, we're all kind of briting at the grind to get out there. Well, I am at least haha.

We're officially halfway through this enormous 59 show run of Dracula. We have a dance party on stage every friday night before the show and the song was, Livin on a Prayer by Bonjovi. So there were about 20 people jumping up and down yelling, "OH! WE'RE HALF WAY THERE OH OH LIVIN' ON A PRAYER" haha. It was great.

I'm seeing The Mystery of Irma Vep tonight. Its Actor's next mainstage production. It sounds crazy funny. Its a 2 person show, and there are like 15+ characters.

Thats all for now!
Ryan

Wednesday, October 6, 2010

Luther at Dracula

Hey all yall,

I just wanted to post this picture of Luther after the show at Dracula!

He doesn't stand a chance.

Waffle House, a Road Trip Without a Map, and a Pumpkin Patch, and an Apple Orchard all in 36 hours.

10-4-10

Ok. So, the last 36 hours of my life have been incredible. Like, absolutely perfect - These past hours, they're what dreams are made of.
So - Last night we get done with Dracula and I'm sitting there with Will in the green room and Havalah and Emily walk in and offer to take us home, and maybe to a dance party at their house that the four of us were going to create. . . haha. Well, we stopped at the gas station, Havalah got gas, I got a 12 pack of Busch Light, King of beers :) and as I got back in the car Havalah says, "Oh my god guys can we please go to Waffle House?" Will and I were super stressed out from a meeting we had had about 20 minutes ago and weren't totally in the mood to go but the puppy faces on Havalah and Emily convinced us. :)
So, as we're driving to Waffle House, which is in Indiana, Will and I crack some beers. Now, I don't know if it is legal in Indiana to have an open container in the back seat or not, but Havalah was driving, and she didn't drink a drip, so I'm not gona worry about it.
The trip there was amazing. Emily was playing DJ and pulling out some crazy sexy songs like Bonnie Ray's, Love Me Like a Man the whole way. We got to Waffle House, ate, and as we were walking out Havalah says, "So, I really feel like driving out to the middle of nowhere to find some stars." We didn't go home. :)
We just took off. Will didn't know yet. So we'd been driving for about 20 minutes before will sees a sign for Indianapolis and says, "Oh, we're not going home are we?" and I said, "Nope, adventure time" or something crazy like that.
So we're driving for what feels like forever and I look at Will in awe and say, "This is our life man. This is our life." then Havalah shouts back at us, "East or West?" "West!" I say, cause It always feels right to be heading west for some reason.
We get off the highway and get onto this backass road and drive till there are no lights. Then get out of the car, it was prolly 40 degrees. It was the first time I've seen my breath in the air all year, and we just stargazed. All four of us. Talking about everything.
Will and I got on this huge tangent about where the north star was and that the two out points of the big dipper's dipper point to it. We could see the little dipper, but there were too many stars to see the big dipper, we thought. Eventually, we came to the conclusion, that the big dipper was down past the horizon, and headed further around the other side of the planet. About this point, Havalah and Emily start cracking up because Will and I had left on our own little Bromance stargazing discussion and were getting really into it.
I know it doesn't sound funny, but just imagine two dudes, standing there in the freezing ass cold talking about where the hell Ursa Major is in relation to the horizon.
We got in the car, and drove home using back roads. I mean we just said, "We're north west of Louisville so lets just keep going north west till we hit the river." We had no maps, no phones, no anything to guide us. I just kept looking up, finding the north star, realizing what direction we were headed and we'd turn the way we needed to go. Havalah and I both had a really good sense of where we were at and we just kinda tag teamed the rout home. We got home around 3.

I woke up at 10, (This is October 4th now, the next day) and we met several other apprentices at about 11:15 to head out to a pumpkin patch/apple orchard in Indiana where you pick your own stuff.
So Me, Havalah, Lizzy, and Marc Bovino (Plays Renfield in Dracula) hop into Mama MJ.
Mama MJ in Will's van. There are no seats in Will's van, just a matress in the back. So mark is in front with will and Havalah, Lizzy and I are just hanging out on the mattress. It was like a rollercoaster ride. Especially once we got int other back woods, winding roads.

We hit the farm and ate at this fantastic mom and pop place there. It was huge. Like, tables big enough for 25 people all over the place. I got Fried Chicken. My first, actual fried chicken from Kentucky and it was suuuuuuuper. Just like, greasy, and a little spicy, and yum. Just yum. They had these rolls that they deep fried and they gave you apple butter. Like a huge, ketchup bottle full of apple butter. They'd bring out a basket and they we're gone in a minute.


After we ate, we went and found pumpkins. We rode a tractor out to the other end of the farm and stopped at this pumpkin patch that was bigger than any I'd seen before.
(From left to right: Dinah Berkley, Mark Bovino, Brandon Peters, Emily Kunkel, Devin Olsen, Ellen Haun, Lizzy Schwarzrock, Will Steele, and Me)
Hundreds of pumpkins all over the place. It took me a good chunk of time, but I finally found the perfect pumpkin, and I love it. haha. Its almost perfectly round, and a bright orange color with a bit of yellow in it with green speckles on one side.

The apple orchard was right by it and there were probably 60-80 apple trees. So. Many. Apples. All. Over. I got like 13 I think. They were super cheap. 69 cents a pound. And they're the best apples I've ever had.

We stopped by the Soda Pop Shoppe on our way out and I got a Carmel apple and a pumpkin flavored ice cream cone to share with  the group. It tasted like pumpkin pie with ice cream. Perfect.
Then 5 of us snuck into the back of this corn maze for kids and walked through it. It wasn't a real corn maze. The corn stalks were like 2 feet apart, but it was for kids, so I get it I guess. BUT COME ON! I WANTED A REAAAAAL CORN MAZE hahah.
We got to the middle of it and cut through the field to this enormous water tower. Like 30 feet in diameter at least, and 11 stories high. It was the biggest damn thing I'd ever seen. just massive.
When we got back to the car, we were all pretty tired, so we were crashing in the back on the mattress and Will put on Bethoven's 6th Symphony. The whole drive home, watching trees and faded leaves fly by in the windows we were listening to Bethoven's 6th Symphony. It really was incredible. I felt like I was in a movie montage. Everything was so beautiful and the violins were blasting in my ears and I was just so happy. So damn happy.
When we dropped Marc off, our first stop, the Symphony ended as we stepped out. We listened to the entire thing, and it ended in synch with the end of the trip. Blew my mind.

We got home, dropped our pumpkins off at the apartment, drove Mama MJ back to the parking garage and on the way back, we started talking about my solo mio. I won't get into the nitty gritty, But I finally know what issues I want to tackle. One, being that It's really hard for me to accept that I am a good person, despite my past. That the fact that I cheated on Ashley doesn't make me an all around bad person. It does mean that I made some terrible decisions, and its part of who I am but it doesn't make up the whole of who I am. It's really hard for me to believe that, but I've gotta get there. There are two other issues, but that's the main one.

After that, I played him a song I'd been working on, and while I played it, I finished the last two choruses off the top of my head. Some times it just comes out, and thats what happened. It was fantastic.

So, 2 songs on the album are basically in the bag. :)

Now, off to movie night.

I'll post Pictures of the farm later tonight.
Later.

Sunday, October 3, 2010

Juggling

October, 2 2010

So -
One of the apprentices, Shawn Michael Palmer, knows how to make balloon animals and how to juggle. He brought all of his gear into the theater about a week ago and I learned how to make a balloon animal dog. Its amazing. Its name is Francine.
I also asked to borrow his juggling balls yesterday.
I started thinking about the parallel between juggling and lying.
The more items you juggle the harder it is, and the more lies you tell the harder it is to keep track of them.
So, in my solo mio exploration and work generation - I'm learning to juggle. I'm going to juggle for at least 30 minutes each day and then write down what happened, what was hard or easy, and where I am in the process for two weeks.
I started yesterday and I juggled for about 2 hours and I can now juggle 3 balls for roughly 20 tosses. Its super addictive. I can't stop haha.
But there are some interesting things popping up -
Like, when I'm juggling I wither have this soft focus where I'm not focused on anything, or I am focus only on the balls, each of them at different times. Its almost impossible to look past them at anything.
Also, I've learned that tossing them in a triangle formation really helps. Something about seeing the triangle being formed in the air keeps me focused. Triangle as in an arch, but you can see the start, middle, and end points that make up the triangle.

So before I go, let me give you a recap of yesterday, cause it was great.
    I got up, went to the company meeting at 9 - came home made ramen noodles, cleaned the entire kitchen spring cleaning style, memorized one of the sides(scenes) for the audition for the understudy parts for Barefoot in the Park, went to an art fair for two hours, ran home in the cold, wonderful fall rain, LEARNED TO JUGGLE 3 BALLS, did a show, came home baked cornbread, and hung out with will till about 1:30 while he made upwards of 5 dozen cookies.

Amazing day.

Talk to yall soon!

Ryan

Saturday, October 2, 2010

Been gone 2 or 3 days. BACK 10-1-10

Whew. Ok. Im back. Sorry I was gone for two days. Was it two days? I'm in a time warp here. its like one long day with a break on Mondays. Sleeping doesn't really separate things because I don't do it regularly enough for it to define a schedule haha.

So - Hopefully I'll have the video of the scene Dinah and I did within 2 weeks. Thats what I'm hoping for.

I've decided that I'd really like to get rid of this belly of mine. (As much as I adore it) I'd just like to see what my bdy looks like without it. So, I'm meeting with Alex Hernandez, one of the apprentices who is also interested in becoming a personal trainer tomorrow morning. We're going to discuss goals and time frames and come up with some goals I can manage, along with a workout, and possibly a diet plan I can do without paying for a gym membership. Cause I'm poor as hell. :)
Also - I'm gona teach Alex to play guitar as payment for him being my trainer.

I've basically stopped drinking for the moment. I've had 1 beer in about 10 days and it was bought for me, tonight. I just can't afford it. I'm figuring out really fast that there's basically no money to drink haha.

WERE GOING CAMPING NEXT WEEK!
17 apprentices, 3 bedroom Cabin ( Thats right, we reserved a cabin) 117 acres, national park, 3 hours away, 1 night, 1 entire day ----Its going to be incredible.

I'm out.
Ryan

Wednesday, September 29, 2010

Zombie Flash Mob Video!

Ok, this is a short post cause I'm super tired from the hand picked and packaged pain relieving tea that Mic made. Chamomile is my friend.

The scene for the shirt and ties went great. I'll have a video of it in a few weeks.

To hold you over -----------Here is a video of the flash mob we did today!!!!!

Yay.
more tomorrow!
Ryan

Tuesday, September 28, 2010

Load in Load in - But, to hold your attention - More pictures!

So - Today is the second day of load in. We were only there 2 1/2 hours, but there was so much sit and wait, then hurry the hell up, that it felt like a day.
Here are the list of things I did, and a few things that happened.
- Screwed in 1, thats right, 1 screw.
- moved a platform 1/2 inch. thats right, 1/2 inch.
- helped move 4 masking flats and 2 walls across the stage
- head-butted Havalah with a hard hat on, just before Will turned her into Shawn's pet robot.
Here's a picture of Havs and I
2 1/2 hours. hahah. I shouldn't complain. I could have been working all day, or at a rehearsal - so I wont. :)

A bunch of the apprentices are doing a flash mob to promote Dracula tomorrow.
A flash mob, for those of you who don't know is when a group of people seemingly come out of nowhere and start dancing in unison, or singing - like a a musical in real life. They're real life musical numbers, basically.
So, Devin Olsen and Rebecca Haden, 2 of the apprentices choreographed a zombie dance to Lady Gaga's "Teeth" and we're doing it downtown in front of Panera tomorrow at 1:30.
It's gona be great. I get to be a zombie. A dancing Zombie. Does life get better?
It will be videotaped, and on you tube soon. When it is, I'll have the link for you.

Lets see - Oh, tomorrow, Dinah and I do our scene at 8:45 am for a bunch of shirt and ties. So, that should be fun. I think I could do just about anything with it and they'd all applaud. Thats me being very stereotypical, but a guys got to do what a guys got to do to NOT be nervous about a corporate gig. so SUE ME. :)

Lets see.... Oh, here's a picture that just went up on facebook:


Thats me - Mr. Briggs. Without my hair done, of course. Just getting into character, raising the fisty cuffs to Simon  Kendall, the actor playing Doctor Seward. At one point in the show, Dr. Seward goes after Dracula, but doesn't have a weapon, so he puts up his fisty cuffs and the audience laughs every time. "Like THOSE are gona do anything"



Last but not least - Here is an old photo.
This is a picture of all the apprentices with Annie Lanzillotto with the fake horse outside Actors Theatre named Genine Risk, which was our motto for the week of the solo mio workshop.

Annie is the one with the red, shor sleeved button up shirt in the middle, just under the horse.
Love you Annie!

ok, later folks, bedtime - early scene tomorrow.

Monday, September 27, 2010

Playwrights - The Apprentice Anthology Project - The Apocalypse

Oh!

I haven't talked at all about meeting our playwrights, and I'm in the mood to type, so here I go.

So, the apprentices have their own show in the Humana Festival called the Apprentice Anthology Project.
Each year, the theater commissions a group of playwrights to write a play for the apprentices.
This year's theme is, The Apocalypse.
Now, the insanely neat thing about this, is it isn't just some playwrights getting together, writing a play, and then us doing it. The playwrights come to Louisville 2 or 3 times throughout the year and get to know the apprentices and workshop scenes with them that they've written, then they come together one last time and put it all together as one big show. They came for the first time last weekend.
Allison Moore
A. Rey Pamatmat
Dan Dietz
Jennifer Haley
Marco Ramirez

Please forgive me, guerrilla advertising here, but you all need to read 3:59 AM: A Drag Race for 2 Actors by Marco Ramirez and Temp Odyssey by Dan Dietz. Cause they're incredible. The Ramirez piece is a ten minute play and Dan's is full length. Ok, Guerrilla advertising done.

They were here for three days and we got to workshop with them 3 days, and drink with them 2 nights. :)
We did a 2 minute, show and tell of what ever we wanted - so some folks did monologues, some danced, Will Steele told them about how he built a house boat, I did my stripper monologue and played a song I'd written in the dressing room the day before - it goes like this (to the tune of "She's Comin Round the Mountain")
"There's a chocolate water fountain on the mountain
for all the little boys and little girls
it sound so neat
and tastes so sweet
that chocolate water fountain on the mountain"

Then we told them a story about the apocalypse. like, what ever it meant to us. Alot of people talked about what the Y2K scare was like for them or personal apocalypses that happened to them, like if someones mom died and it felt like their world was ending.
I talked about the fact that my family has like 2 years worth of food storage in our basement and when we moved to Iowa, WE PACKED IT ALONG IN THE TRUCK. So, when the apocalypse comes - we'll be able to feed ourselves -For a while at least - Until the zombies break in and trash the place before ripping us limb from limb - of course.

That was the first day. The second and third days were actual workshop days. The playwrights went home that night and worked out scenes for specific people. Like, they all discussed who they wanted to write for cause they thought it would fit for them and then wrote scenes for us. Like damn good scenes. Scenes that would take me 15 drafts and a barrel of bourbon to write. And we worked them the next morning. All of us, reading through were like, "Oh, I know this character, I've played something just like it before." or "Yep, thats me, he just took me, and made a character out of it." It was pretty incredible.

So they left, with all sorts of ideas ranging from: giant tentacles taking over New York, Zombies slowing devouring human kind, depicting Shiva and Ramuh as too, very close roommates who're more concerned with eating samosas that destroying and creating worlds, to a mother leaving her 3 children, all under the age of 6 a heartbreaking video documentary on how to live after the rapture happens and she ascends and they're left because they were too young to be baptized. Like she doesn't want to leave them, but knows she has no control over it.

Now they're writing larger scenes and monologues and sketches, and we will work with them again in December. Then we'll meet with them a few months after that when, theoretically, we will have a show.

So - Thats that. Pretty sweet.

Oh, and buying and eight dollar package of peppered, top shelf bacon with food stamps, i.e. the state's money.... That's pretty sweet as well.

Later all!

Ryan

Oh - Here's a picture the photo intern took at one of the playwright workshops.

Thats Victoria Alvarez-Chacon's arm to the left, then me laughing hysterically to my left is Scott Sweezey, then Shawn Michael Palmer the Will Steel the furthest down.

1st day of load in

First of all, a note on names - I'm trying to use everyone's first and last names when ever i reference them, so that anyone who is reading this, will have some sort of chance to keep them straight.

So, today is Monday, which usually would mean I have the day off, but not today!
Well, I had most of the day off.
So I got to sleep in till around 11, then I met with Amy Attaway and Dinah Berkley to rehearse our little, corporate scene for the managers at Humana, then i went to LOAD IN.

So, LOAD IN, is where we tear down the set from the show that closed, (Kite Runner) and Load in the set for the next show in that space (Irma Vep) Its scheduled as a 4 day process, but everyone says it never takes that long.
So I was on the Lighting load in today. So I was about 40 feet in the air on the grid for about 5 hours hanging lights, circuiting lights, moving lights....basically everything that had to do with lighting, i was doing it.
There's this idea about load ins that make them sound so daunting and terrible, but I always like them. Its something new and something I don't get to do very often, so I really enjoy it.
Its like when I get to work in the shop on a show - I don't get to build things with my hands very often, construct things. So I really enjoy every bit of it.
So, I don't know how long this load in will take, but I'm alright with it. :)

So, back to the scene I'm working on. A representative from a company in town here, Humana, who is the main, monetary supporter of the Humana Festival, approached Michael and Amy about having the apprentices perform a scene for several of the managers at Humana as part of an education program they're running. So Amy contacted Dinah and I Saturday, and we are doing this ten minute scene for a group of managers at this education conference. The SWEET part is, they're paying us $600 which is going straight to the apprentice fund for our showcase. So, memorizing a scene quick fast for $600? - Yeah, I'm in.

Also, found out Nathan Scheetz, and Sarah Ulloa are coming to see my show with Cory Johnson on 10-22-10! can't wait!
Packers playing the Bears right now. Go goggo BEARS!

Ok. I gotta go memorize stuffz!

Later! Ryan

Sunday, September 26, 2010

My best Drac performance yet, Inspired by focus, and some Solo Mio Ideas

Today started out rough. I woke up thinking about Ashley, and couldn't really stop thinking about her until I got to the theater, which usually means - bad day. Today was different.
yesterday, Nathan Scheetz mentioned that she came down from Rochester to see him in Putnam's 25th annual spelling bee. That was literally the first time, that anyone that knows her or is friends with her has mentioned anything about her in almost 45 days. That's a long, damn time. And it just got me rolling, and thinking about everything again; Thinking more that I have been with all the solo mio stuff.
So - I woke up this morning sad, and was listening to Goodbye Waves and Driveways by The Rocket Summer, which was not helping the situation by any means and was prepared for an awful, awful day.
Well, I got to the theater, mind you I got 11 hours of sleep the night before as opposed to my regular 5, and got ready for fight call to do the show. I put down my Zune and said, "Ok rocket summer, time for you to go away if I want to get any work done today" and hit fight call with a vengeance. Then I hit the show with a vengeance, and pushed out the most present performance I've managed yet. I was listening and responding to everything - everything. it was wonderful.
Then we did another show and then I came home and let myself think about everything again, worked on some solo mio/ solo show/ album lyrics and almost went to bed, but figured i better write first cause i missed yesterday.

Also - on the solo mio - I had this crazy idea today
What if I was juggling 3 balls while talking about trying to keep up with lying and multiple lie paths, then I started making balloon animals for the audience while talking about hiding everything, and then finished with a short something about not being able to hide anymore while that famous opera song Vesti la Giubba from I Pagliacci?
If not the solo mio - some of it will be in the full length, for sure.

It came to me when I was making a balloon puppy, which i named Francine, in the green room during act 2 of Dracula.
Just another idea along with spilling merlot all over a white comforter, or slowly loading up a scale until it breaks.
Lots of ideas, appox 50 days left till i perform.

I need a day off like crazy to work on it, but alas, haha, tomorrow we load in Irma Vep.


Night all!


OH! our video from The Ensemble Project is up on YouTube on the Actors Theatre of Lousivill chanell
Here is the link
http://www.youtube.com/watch?v=lqXa_vgu7CE
The chick with the Ultimate voice? Thats Kerri. Go girl go.
And don't mind my eyes off to the right, I'm desperately watching Will feet trying to stay in beat with him haha
Also - Here is a teaser from Dracula
http://www.youtube.com/user/ActorsTheatre#p/u/1/FsNusOkLoaQ
Last but not least was a concert held on top of the parking garage at actors at the beginning of september
http://www.youtube.com/user/ActorsTheatre#p/u/11/5BFILtk_z6U
The Pass was fantastic

Adding a dracula Picture in here by Joe Gienert, the photo intern.
This is my favorite light cue in the show.

Ryan

Saturday, September 25, 2010

A Quickie

Its 4 am. I've been blues dancing all night. the first round of Solo Mio's were today, and they were incredible. In fact, they blew my mind.

Luther is here this weekend. Which is sweet. he saw Dracula, Kite Runner, and the solo mios so I'm guessing he's pretty theatred out hahah. kind of alot in one weekend.

Did I mention I love blues music? Or rather, I'm starting to love it?
Bought a 10 dollar albm of a live blues band i heard tonight. Can't wait to give it a listen.

Good night, or morning, rather.

Ryan

Thursday, September 23, 2010

Sorry I've been gone!

Hey Everybody, sorry Ive been gone for so long. I got all crazy busy with Dracula and have been putting writing off. I'm gona try and write a bit every day as opposed to these huge posts. just a bit every day, and get into the habit of it.

So - Here we are, I'm writing this goal down - I'm going to write on my blog, at least a LITTLE bit every night.
Done.


So today's entry:  Dracula opened and its incredible
Dracula Student matinĂ©es

So every Tuesday through Friday we do a show at 10:30 am to a group of middle schoolers and high schoolers. They're out of control. Its incredible. Like, the show is scary, but c'mon, it can't be that scary.
Apparently it is. Because these kids scream their asses off. Like, screams of total and complete terror. And we're provoking it. Its amazing. There is this one fright between Dracula and Van Helsing where some burst of flame shoot off in total darkness about 5 feet away from each side of the audience and its decently quiet until they go off then the kids just SCREAM and then scream again with each on that goes off. 1 2 3 4. its amazing. hahah.


Also - in other news - I'm writing an album. One song down called Dinner with our best merlot and 3 others started. Its gona be great when its all done. ")

Solo Mio's start this friday. I can't wait to see them all. They're 7 minute solo performances that each apprentice has been working on and we see 7 of them this month. I'll let you all know how it goes.

Bye for now. :)

Ryan, Your long lost writer

Tuesday, August 31, 2010

The Apprentice Ensemble Project - A Process

Ok everyone - this is a huge post. Its unorganized, and I'll clean it up later - but I want to get it out there!

Ensemble Project

Step 1 - find two articels from the same day, different parts of the country, 22 people sit in a circle and talk about them all 
Step 2 - talk about IDEAS behind articels
Step 3 - work generation - Improv/ theatricalizing ideas 
Step 4 - Find a framing device
Step 5 - Make a freaking show
The first project we worked on as a company of 22 actors, 4 dirctors - two of which are Michael and Amy and 2 dramaturgs, was The Aprentice Ensemble Project. Before we arrived here, we were told to buy a local newspaper from where ever we were on july 12th, 2010, to read it in its entirety and find two articles that struck us. In my paper I found an article about the Barefoot Bandit (Colton Harris-Moore). We knew that were were going to have to talk about the articles and explain why we picked them when we started working on the project.
So, we arrive -
Ensemble Project Day 1 - We sat in a circle on the 4th floor of the administrative building ( which is basically our rehearsal space) and we each told about our articles, why we picked them, and then a discussion or comments would raise up and we'd just start talking. Keep in mind, that at this point we've known about each other for only days. As we went around, we started to see not only the kinds of things people were interestd in, but the things they talked about, how they talk, how they think. Stories start to pop. Monica Bergstrand told this story about how about a month before she got here, she met her dad for the first time. She's 28, and cried and laughed through the whole thing. Like, it just popped out. Several others just started coming out. It was like we were all old friends, hadn't seen each other in 20 years, and had to get everyone caught up on what was important to us. We talked all day - 9 to 5. It was a day of discovery. Not only about the project, but about each other. It was like meeting the family I'm staying with for the next 9 months.
Ah - i'd like to note that 8 of us all picked articles concerning Colton Harris-Moore or (Barefoot Bandit)
Ensemble Project Day 2 - 
    We came together, sat in a circle, and literally talked about all the ISSUES the articles brought up the day before for the entire day. Like sky is the limit, Discuss what affected you yesterday - go. And we talked, totally trusting and supporting, for another 8 hours. -

*****List of Ideas to come
Ensemble Project Day 3 - 
Alter Egos - Everyone reading this, before you read on, think about your alter ego. If you could be anything, any person, any object, any anything, what would it be? and get specifc, name, the color of shirt they're wearing, how they talk, where they're from - just give it as many details as possible. Thats one of the things we were asked to do upon arrival. On day 2, we performed them for each other. Michael said, "Ok. take 15 minutes and figure out how to personify your alter ego and then we'll perform them for each other." Panic. - I went first.
My alter ego - Desperado
Here was my brainstorm right out of my journal -
- COWBOY - Boots, chaps, whiskey, horse, the real deal
- wild west, before califonia was settled
- cattle driver
- Brown beaten hat, hole in the brim
- worn leather chaps
- boots the color of dirt, spurs
- pearl handled 6 shooter on each him - Right, Jane - for my momma - Left, Culver - Beacuse it sounds so nice
- Brown, party calico horse named O'l Wiley - Faithful companion
- Expert poker player - bluffer
- whiskey
- Dried beef
- can -o- beans
- skillet, coffee cut, pot, silverware on a ring. yes.
- Lonely, comfortable solitude
- calm, assured
- quickshot
- 1850's
- almost a ghost
- People just hear stories about him, but have never met him.

This is the bit of a monologue I worked up to introduce him-

"Howdy yall, Desperado here. I herd cattle and I play a smooth had of poker. This here's Ol' Wiley - best friend I ever had. On my hips, on the right, Jane (mimes pistol) for my momma. On the left, Culver, cause it sounds sooo nice. I make my way by the stars, town to town, saloon to saloon. My name is in the breeze. People hear it whisperin in their ear, but never see my face less I tip my brim."
- There's more I put into it when I did it, but thats were it started from -


Apprentices and alter ego names - I'll leave the details to your imagination.
Scott - John Band - 007, pimp in reno
Brandon - Pablo - hair dresser of celebrities
Kerri - Onyx - Secret agent/Assassin -
Alex Hernandez - Nelson "Party Bowl" Ramirez
Zach Virden - Don Martin - Doesn't say much, wine taster
Ellen - Mayln Moresee - Actress, famous for no reason
Martina -no name - as nameless as the earth - Seer, Wizard, possbile bringer of natural disasters, seen at several
Alex Stage - Peter Ungar - Alien,, "I am your master"
Jordan - Jerry Jive Washington "Best pianist that never gone Pro"
Monica - Kelly - Super strong, Very helpful, but no one accepts her help cause she breaks everything, Great picture hanger
Havalah - Sasha Swenson - Born in a yacht on the border of two countries, so, not a citizen of anywhere. Model
Shawn - Miss Louisianna - Won the hopscotch contest
Dinah - Humphrey - 89 years old, has escaped from 23 nursing homes, helps other senior citizens escape
Will - Smash hit - Smashes everything in 10 seconds
Daniel - Assassin/Bead collector - Kills people, paid in beads and jewels, makes jewlery with the beads and gems, sells it at fairs.

*****Six or 7 more to come -

The next thing we did, was split into groups of 4-5. We were given 15 minutes to come up with 3 ways to theatricalize the story of the Barefoot Bandit, or parts of the story or anything about him. The sky was the limit - but 3 different ways, 15 minutes.
Quickly we brainstormed all the ways theatre is presented, here is a short list
 - Narrative retelling
 - Abstraction (I don't even know if thats a word)
 - Direct address
 - Movement
 - Collection of news quotes
(I know this is a short list, we only had 15 minutes hahaah )
We came up with a radio show telling his story, a group of girls looking at his facebook fan page oogling  - the parents burst in, but then get caught up in the "Barefoot Excitement" and... something else I don't remember.
We did this all day - for two or three days - 8 hours a day, generating ideas.
It was the most creative I'd ever been in my entire life. Group sizes would vary, the length of time we had to come up with ideas flexed from 15 minutes to 45. At the end of the day, I could have fallen over. I think I did, when I got home actually. It was unbelieveable. I went home after the first day of work generatio - the one with the alter egos. So much had happened, I thought we had done the alter egos a day before. So much work had happened in 8 hours. It is, I can't explain how much work happened.
Here are some of the ideas that were put up on thier feet:
- Newsroom telling story
- ASS - Thieves club
- holding auditions for the role of "Barefoot Bandit" each actor brought a "Foot Shot"
 - Leaving water foot prints on rolled out paper
 - Coming onstage, dressing someone as a celebrity, then them singing sadly, taking off the facny clothes, " Fame, I'm gona live forever"
 - The moment you realize you're mortal and are going to die.
 - When I was 7 - our lives at 7 as oppsed to Coltons
 - Personifying his accomplis Harley Davidson Ironwing (Yes thats his real freaking name)
 - A soundscape of Colton being captured.
 - Point of no return - the idea of painting yourself into a corner (physical)
 - Scrolling movie credits of Coltons story
 - folk songs written in memory of Colton

Day 4 and 5 were more of the same - work generation - just putting ideas on their feet by what ever means we wanted to. It was at this point, that we had so many ideas, so much work out there on the table, that we were getting pretty overwhelmed by it. There was nothing holding it together no "Banks on the river to hold it in". We had half a week, over 36 hours of just creating work, creating characters and situations.
At this point, the days blend together - So I'll say by mid week two, Michael stepped in and said him and Amy and the other 2 directors Rachel and Zach had come up with an idea to frame these Ideas we had - The Barefoot Bandit's story.
We had decided that the main ideas we wanted to work with were Self Identity, Legacy, and Fame in the digital age. All of those things kind of revolved around this Barefoot Bandit article that 1/3 of us had been drawn to in the first place.
It was also at this point, after the work had been generated and the framing device set, that Michael and Amy asked permission to start making executive decesions concerning what pieces of work we would use to tell the story. - At this point, we had been working our asses off and didn't know what else we could do with it as a group of 26 individuals. Each of us had different ideas. We really needed some one to be able to make executice decesions about what to keep. - Michael and Amy stepped in to do this, and  I think there was a general sigh of relief when they asked us if they could. If they'd have said that from the beginning, I don't think we'd have liked it, or had gotten as much out of the process as we did. But right when we needed it, right when we were desperate for direction, they stepped in. - It was a fantastic way to do it. Also - this was when rehearsals for Dracula started and the folks in that would only be doing the Enseble Porject a few hours a day.

So lets see - I want to say now, we're about at the end of the 2nd week of work -
We made a time line of the Barefoot Bandit's life up to this point, and started to match up ideas from our themes, Legacy, Self Identiy, and fame, that matched them.
So we'd do a little scene about how the nickname was picked - Barefoot Bandit, then do a little bit right after that that exposed our ideas on self identity. That kind of thing.
after we had fleshed out and worked through some of the better ideas michael and Amy came up with an order.  It changed several times, but ended up looking like this -

****order ******

So we started working each of these bits - we had 4 directors, so each bit had a different director basically then when we'd show them to the company, all 4 directors would give their imput on the scene.
Once the scenes were solid - Probobly 4 days before we opened, we put in transitions - The transitions were direct quotes from his facebook fanpage that had to deal with the issues presented in the scene before or the one coming up. All of the sudden we had a show. We performed it on the 27th and 28th of August. 2 performances. The product was incredible, the process was mind blowing.

We ran it the first time 3 days before we opened 2 1/2 weeks after we started creating it.
It was 45 minutes long. It was funny, beautiful, full of ideas and sweat. I'll never forget it.

Thursday, August 26, 2010

Rehearsal with Dracula Director- Bill McNulty

Rehearsal with Dracula Director Bill McNulty

I have so much to learn

So I’m here in rehearsal with a director who’s incredible and directed this show for 15 years at Actors. Intimidated, is more than an understatement of how I feel. It’s been about a week since we began and I just had my first rehearsal where it was me, him, Havalah, and the stage manager and I was finally able to let my belt loose a little bit. Let go of the, “I’m a student, you’re incredible, and I’m not doing anything that you want”, mindset. Its really hard to think of myself as a peer with the folks in the cast. As much as we’re told to, its hard to wrap my head around it.
So I just took this rehearsal to listen. To listen to everything he was giving me, and not feel like I had to get it THAT instant to impress him, or show him that there was a reason he cast me. I had a good hour.

Play the action –
Work with what you want the OTHER character to feel –
Work what you want in the scene –

Those are the main things he kept pushing at us. Those are the things I forget about when I’m in my room running lines and working beats. I start talking and think, Oh, yeah, that’s a good line reading. Or, oh nice, that’s a nice bit.

Bill brought this up, recognized it, and kind of made a joke about it. He said you do all that, but then when you get into the room with the actor and they start giving you something different, you have to roll with it and let it happen. That’s the only way to get something organic and valuable.

He just kept on pushing to keep your action in the back of your head; what is your action in this beat. Once I got it, once we both started just leaving these line reads and these bits at the door and just played off each other with our actions in mind- it started to happen. Work, actual, valuable work started to happen. I started to feel, for the first time today, that I was contributing.

Today’s rehearsal got me thinking about a bigger issue as far as my craft goes –
My process –
One of the things Michael and Amy asked us to do when we got here was, “Articulate your process. How do you create a character? What do you do when you get in a play?” I didn’t really know what to tell them.
I don’t really know what my process is- My process of creating a character and a world in a play. I just memorize the lines, find the beats, think about what the character wants and start rehearsals. I want to be able to actually bring ideas into the rehearsal room, not just know where the beats are.


So, today’s rehearsal was good. It’s the first scene study rehearsal I’ve felt good about. I feel good about it because I was able to drop nervous Ryan for a while and just play around with smart actor Ryan, who doesn’t come out very often. J

More later about fight choreography….. 
Also, an Apprentice Ensemble Post is coming....

Wednesday, August 18, 2010

22 People Who All Think, Laugh, and Dream Like I Do~

So here I am, a member of the top internship program in the country. As I packed up my bags and headed out to Kentucky a million things ran through my head. What will I be doing? Where will this lead me? Who will I meet? Will we all be best friends by the end? Will we fight the whole way? Will I grow as a performer in ways I never imagined I could? What I hadn't realized yet was the process Michael Legg and Amy Attaway, the director and assistant director of the Apprentice Program respectively, had gone through to pick us out.

2800 people of varying talents and from different walks of life had auditioned. I'd thought about the level of talent I'd be working with, but not about the character. Michael and Amy picked out 22 people that they would be OK working with for 9 months of their lives. They had to say to themselves, "Yes. I would not mind seeing you every day for the better part of a year. In fact, I want to. Come be a part of this program."

The apprentices are the nicest, most driven, smart, and fun group of people I've ever come across in one place at one time. They all dream big, and loud.

I remember the first day we all met in one place, the associate dinner, when all I could see was a room full of smiles. We all burst into the room with a chorus of, "Hello! I'm so and so, who are you, cause I can't wait to meet you!". I mean, I just can't believe how wonderful each of them are.

Just think for a minute - a place where everyone accepts everything about you. A place where you can be you, completely. A place where everyone wants the same things you do. A place where you feel a sense of home 4 days after being there. I'm there. I'm right in the thick of that rainbow coated world.

A member of the cast of KITE RUNNER, Kario Pereira-Bailey, turned 21 last week and the cast threw a surprise party for him and invited all the apprentices. We crammed into his gorgeous apartment for about an hour before he got there. Most of us barely knew Kario. We'd talked to him passing in the halls, or had a beer or two with him, but we were there along with the whole cast to celebrate his birthday. He had no idea. In fact, just days prior the cast threw a surprise party for him in rehearsal with a cake and everything just to throw him off. So he walked in and we all started shouting and his face - just priceless. Not just shock though,  like, sheer joy. It was all in his eyes and his smile. He was just so surprised about it all.

My point is we were all there, and it was a fantastic night.

We're only a week in a half in, but I'm feeling like we're off to a really good start. I'm sure arguments and fights will break out. It's inevitable. theres 22 people and we work together all day long. But, if that happens, We'll be able to remember, "wait a minute. At some point, this person was awesome. I've gotta get back to that. Who knows, maybe we'll all just kill each other by the end. :)

A bit on the talent pool out here of the apprentices~
    They're all fantastic. We've been working on the Apprentice Ensemble Project for like 7 days (I'll be posting one enormous post about this process at the beginning of September) and seeing everyone work is amazing. to give you a better picture of it:
     The second exercise we did, on the first day was to theatricalize the story of the "Barefoot Bandit" (if you don't know it, click here http://news.nationalpost.com/2010/07/12/five-reasons-why-the-barefoot-bandit/ ) in three different ways. We had 15 minutes. We were in groups of 4-6, and we all did it, and it was fantastic. Thats what we've been doing for 3 days. Generating work through talking and improv. Its kind of an amazing thing to see 4 people that BARELY know each other get up and throw a piece of theatre together in 15 minutes. Its a magical thing. Its kind of blowing my mind actually, the amount of work we've done in 3 or 4 days.

The long and the short is, everyone is amazing, I barely know anything about them, and I Freaking love them.

Kerri Alexander
Victoria Alvarez-Chacon
Monica Bergstrand
Dinah Berkeley
Martina Bonolis
Jordan Brodess
Daniel Desmarais
Havalah Grace
Rebecca Haden
Ellen Haun
Alex Hernandez
Emily Kunkel
Devin Olson
Sean Michael Palmer
Brandon Peters
Elizabeth Schwarzrock
Alex Stage
William Steele
Scott Swezey
Peter Vergari
Zachary Virden
Ryan Westwood

  

Monday, August 16, 2010

Cast in Dracula! An Audition, Magic, and a Lesson.

Big news everyone. We had auditions for Dracula and The Mystery of Irma Vep last Thursday and Friday.
I GOT CAST AS BRIGGS IN DRACULA. I'm freaking out. Kinda literally.

    When we got the sides for DRACULA. They came along with some directors notes. In short, the notes stated that the play was gona be put up as a terrifying production. Every element would fall into place to scare the crap out of the audience. There is a bet that goes on in the cast each year regarding how many kids are going to wet themselves. Big money bet. Also - The audition for the role of the MONSTER - which is Dracula's demon side consisted of running as fast as you can, jumping as high and fast as you could and simultaneously letting out a blood curdling howl. The second round? A chase scene created by two actors where the MONSTER eventually catches his prey and sucks the life out of her. - Yeah.
    So - BRIGGS, the character I'm going to be playing, is really sarcastic. The director, in his notes, asked that we take this scene as seriously as possible. Toss out the sarcasm and really feel out the reality, and the terror of the situation the characters are in. My scene partner Ellen Haun and I tried to do just that.
   We got together last Tuesday, (and can I say how refreshing it was to be working again? first time since march.) and we just worked it. The great part was that everything just kinda came out naturally. We only worked for half an hour but we felt like we had a really good handle on the scene. It was just real, objective was obvious. So - jump to Friday, (the 13th, by the way) ~~~The auditions for BRIGGS, went three rounds.

Ellen was partners with another guy as well, Daniel Desmarais, and the director, Bill McNulty,  had already kind of worked with her. So when we went in to do our scene, he directed most of his comments to me which was crazy intimidating. So, we ran through the scene and he stopped us 2/3 the way through and asked us to go back to a little section before. Bill said, "Ok Ryan, I get the fear part of it, I'm level with you on what you're doing there, and its right. But there is a level, a part of this guy that is sarcastic, and that's how he deals with the fear, but it doesn't always work. So, throw some in there, and let me see how it looks." So I tried to do just that. I took every line that I thought could be taken as a joke, and I threw it out as sarcastic to defray the reality of what Briggs was feeling - and, just like he said - sometimes it didn't work. Those were really fun, and sometimes funny discoveries. I must have given the director what he wanted, because I got called back.

Next, I was reading with Lizzy Schwarzrock. We had enough time to run through the scene together once before we went in. So we ran through it, and I tried to hang onto the notes I was just given. It was wonderful doing the scene with someone else in an audition setting. Not because I didn't LOVE working with Ellen, but because it opened up a whole world of choices and tactics I'd never thought of before. She'd give me something, and I'd have to give her something back that matched it, almost off the top of my head. So - we went in and let that roll out.

The next note I got was to take the air out of this paragraph, (please god, save me from any sort of copyright laws)

"Wha'? Trouble 'round our quiet little cottage by the sea? Oh, we can't 'ave that, now, can we? Not when this is going so lovely. What with one dead and one dyin' of God knows what, shots bein' fired in the night and young Mr. 'Arker turnin' up lookin' like Robinson Crusoe. What could be more restful?"

I'd been taking a lot of time in this to really let myself feel the reality of death, danger and surprise; Also, to make sure I wasn't letting the obvious sarcasm take over completely. So when he said take the air out of it, I gave it the speed and the natural build it has in crescendo and tempo. I just let loose. Then - and here is where the lesson I want to take from this is - I let that speed, that rhythm, that pace lead the rest of the scene. In college, my professor Cory Johnson, told me that what a director wants is to give you a note, and then see you take it further than they expected. - She must have been right, again, because I got called back for the last round.

The last round was just me, and Havalah Grace, who is fantastic. Havalah and I did not work together at all before we went into the auditions. There was no time. we walked in, and the director asked me to take off my glasses again (I neglected to mention that it had happened in round 2 as well. - Left my toiletry bag in Iowa, with my contacts..) and Havalah took hers off two. I made a joke about how things were going to get really good with two "blindos"  up here and Bill came back with, "Well, we'll get you some seeing eye dogs, that should help." After we stopped laughing, I took a good moment to pull myself back into this world of terror, and dove in, keeping the mixture of fear, sarcasm, and pace that I'd adapted to in the rounds prior.

Havalah and I had. We'd never worked together before, but it was there - and that was strange, and exciting, which i think guided us to the level we were at. We finished the scene and Bill gave me one last note concerning this sequence-

Sullivan: Don't be superstitious.
Briggs: Superstitious am I? Look out that window. Look at them dark clouds gatherin'. Pitch black clouds against a sky the color of a tombstone.
Sullivan: There's just a storm brewin, that's all.

It is not just a storm. Its a hellish sky full of nightmare that Dracula was conjuring up. The note was this - Take a moment to really see that sky. See the nightmares in it. See the terror, and let me see that picture in your eyes. As soon as he said it I thought, "God why didn't I think of that? That's why you have a director Ryan."

So we ran through it again, just that small part, and I let my daydreaming eyes go. I took moments to see everything, swirls of black and silver, ghosts rising through the mist, a moon the size of the sun, fire bursting through the atmosphere, and a pair of red eyes, glaring, fixated back at me. I could feel the room darken - You know when its twilight, and you stare at the same place for 3 or 4 minutes, fixated, without blinking and everything goes dark - That was happening. Direction, preparation, and the chemistry Havalah and I allowed it to happen I think, and it must have been great because -

WE GOT CAST~!


Havalah was one of the two apprentices that I found a connection with before I got here. Her and Scott Swezey. Now, as it turns out, Havalah and I were cast opposite each other, and Scott is understudying Briggs.

I don't know how I feel about fate anymore ~ but regardless of whatever power is out there - There is something to be said about trust and connection on stage; It affects everything. I can't speak for Havalah, but in my case - connection, as an idea and a subconscious force, undoubtedly aided in me getting this role.

I re-read the script last night and realize I'm playing the character that is killed by- well, here are the stage directions in regards to Briggs death
- "MONSTER shakes him(Briggs) furiously like an animal with its prey until he is completely still and limp"

Terrified? - Yeah, that makes two of us.

Thursday, August 12, 2010

5 days as an apprentice, and OMG batman. Amazing.

So, here I am in Louisville Kentucky. I'm an apprentice at the leading regional theater in the country and life, really couldn't be better, well, thats a lie, but we won't get into that now. What we will get into is what has happened, and what is happening.
So much is happening - :)

For all you bloggers out there... Bear with me, this is my first time.

I've been in Louisville Kentucky for 5 days now. Its now the 12. So I got in Saturday night after driving 7 hours with no air conditioning. Amazing. :) My place is great. I'm living at the WG - definition of the acronym to come later. :) Its the 10th floor of an apartment building that is set up as a dorm for apprentices. So all the rooms are on the outside edge so they have windows and all the bathrooms are on the inner edge of the hall that wraps around. My room is huge. 250 ft X 250 ft. I know thats tiny, but for me, its all the space I could imagine. Theres a full size bed, not a twin and that makes my life complete.

Sunday night, the 8th, the associates, which are volunteers for the theater threw the apprentices a welcome dinner. It was super! They were all super nice, and were so happy that we were here. Thats the funny thing about being here, everyone at the theater waits for the apprentices to show up. Like, we've been told by several people that we bring an energy here, and after we leave, its gone, and they all miss it. We're the life blood of the theater season after season.

Monday - Pool freakin party. Oh man, it was sweet. We went to this rich dude's house who loves the theater and had us all over. As we walked into his back yard, which was beautiful by the way - flowers everywhere, we noticed there was kind of crazy music playing. Like, techno, music - like remixes you'd hear at a rave where X was being passed around. Really odd. It never happened, but we half expected him to start serving pills on a gold platter - Kind of  weird i know, but, if you'd have been there, you'd have gotten the vibe.
Pool party was great. He served chicken tetrazini - Delicious.

Tuesday - Long. Ass. Day. We sat, for 9 hours, and listened to policy that was thrown at us. Nothing really happened this day.
Wednesday - Today we started the Apprentice Ensemble Project. Its the first project.
Wednesday will have to wait until tomorrow. Its midnight, I have to be up at 7 to audition for Dracula. Wish me luck! and - Good night.